The sensational actor, producer, and writer became a mixed ethnic family on 4 April 1976. James Roday Rodriguez (born James David Rodriguez, April 4, 1976) is an American actor, director and screenwriter.He is best known for starring on the USA Network series Psych as hyper-observant consultant detective and fake psychic Shawn Spencer.He stars in … James Roday is an American actor known for portraying the role of Shawn Spencer in the USA Network series Psych (2006-2014) and its spinoffs. James David Rodríguez was born on April 4, 1976. Well, James is also an actor who played along with Maggie in Psych (2006-2014). Introducing James Roday Rodriguez!For the first 21 years of his career, the Psych star went by his first name and a made-up last name. Jaime Rodríguez, his father and mother, Irene Rodríguez, are of Mexican extraction and of English, Irish and Scottish descent. Roday will also next direct the film “Gravy,” which he and Harthan wrote, currently in pre-production with Infinity and Gold Circle Films.James Roday Twitter In the series, Roday played the role of Shawn Spencer, a freelance consultant with … Before getting hitched with Benjamin, she was in a long-term relationship with James Roday Rodriguez. In addition to acting, Roday and his writing partners Todd Harthan and James DeMonaco, wrote the screenplay for the upcoming Lions Gate Film “Skinwalkers.” Roday’s television credits include the NBC show “Miss Match” with Alicia Silverstone as well as appearances in “Get Real” and “Providence.” Later this year, Roday will reunite with his “Dukes of Hazzard” director Jay Chandresekhar in the independent film “Beerfest.”
Other feature credits include roles in Wim Winders’ “Don’t Come Knocking” and “Rolling Kansas” directed by Thomas Haden Church. 2005 release “The Dukes of Hazzard,” as Billy Prickett.
Since then, Roday has gone on to numerous television and feature film roles, and was most recently seen in the Warner Bros. James began his career studying theater at New York University’s Experimental Theater Wing, then quickly gathered up a string of New York theater credits both in classical (“The Three Sisters,” “Twelfth Night,” “A Respectable Wedding”) and contemporary (“Severity’s Mistress,” “Sexual Perversity in Chicago”) material.
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